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... and I make things.

Of my own invention with my own hands. And its all got my name on it.

I sell lots into the USA and worldwide, my website can be viewed by anyone on the planet and I can supply likewise.

You will find in the links at richardkell.co.uk some good stockists. Likewise they can supply genuine Richard Kell.

The purpose of this blog is to add background and interesting information that you will find on my paypal sales website ie http://richardkell.co.uk/   I am very well known for my clever and very well made honing guides and my Richard Kell bevel gauge. They are simple and effective to use.

I am the inventor and manufacturer of all the products here at Richard Kell.

I am an enthusiast for old time craft manufacture, I enjoy using my hands at this close tolerance work, have done for many years; I work alone and prefer it, no distractions and I can push quality to the limit. I like to feel how the tools are cutting and to hear that 'sweetness of sound' all is going well. I am passionate about quality and making an effort to hit the top level.

Everything here is made by me, my no.2 LGE honing guide and my Richard Kell bevel gauge are very well known and highly regarded. Beware of despicable inferior copies. I am known for the quality of hand deburring and utterly consistent and flawless surface finish on every item.

Buy my products and I give you the benefit of a lifetime in the workshop, I am a stickler for measuring critical features of every component as I make it, they are even plotted on charts for instance the 'matched in pairs' one third thou inch honing guide bobbin diameters, so that all marries up and functions as I wish it, theres no CNC here at my place !

My honing guides and I recommend my Richard Kell no.2 LGE are regarded the best in the world, the quickest to use, ultra reliable and 'spot-on' repeatable. Theres a full no quibble money back on anything you purchase.

copyright richard kell 2017, E&OE no liability accepted. You must always comply with safe procedure, eye protection etc.

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Richard Kell no.2 LGE honing guide (ie large roller)

... not everyone has spent so many years making things, tool manipulation comes easy to me; but for people coming to this as a hobby and picking up my richard kell no.2 honing guide heres a few hints as to how I go about handling the device.

I have to admit I am (was) a 'dyed in the wool'  freehand sharpening man, I sharpen many odd formed hand tools mostly all made by me, form tools for the lathe and profiled milling cutters but this large wheeled honing guide of mine ie richard kell no.2 LGE is an absolute winner for any chisel or plane iron and without question is the tool to reach for, both for sharpness of edge and for quick results.

Due to its repeatability there is no wondering "have I raised the burr yet" .... telling us we have created a fresh edge; in addition my 3mm riser concept ie two slips of polycarb under the back wheels provides a five degree lift for final hone / bevel very quickly indeed, no need to touch the clamping at all, but this is not essential, can be dispensed with if you wish. Because of all this toolmaker repeatability ie close tolerance manufacture and by nature of its design, merely two strokes on the finishing stone will often get you back into action for most small chisels.

Above is ready to measure / set projection of tool to achieve the desired angle, I just use 1-1/4 inch for most things, the jig can slide up or down the chisel as you wish before tightening.

Above the no.2 LGE is in use on my roughing stone, is balanced and sharpens perfectly on the push stroke, for the last couple of strokes I centre both wheels on the middle of the stone to get the best chance of both repeatability and a square end, minimising the time for the finishing stone. Its all about 'feel' and thinking with your hands  ......

You would be perfectly okay to remove the hind-end on the bench grinder and jig mount merely for final hone (my preferred method).

Another advantage of my honing guides used in the above set-up is that I can utilise every part of the stone, not just a central trackway.

Its important the chisel itself beds onto the two stainless rods, these are the datum, picking up from the chisel face that matters. Polycarb washers either side of the chisel provide excellent grip (ie 'stick-tion') even when only hand tightened and once inserted and set I give the hex nut the slightest of tweaks with a spanner to help secure all firm.

Also above I am using my felt tip pen trick to verify repeatability.

Note that I have 3mm strips of polycarb available so that for the final five degree finishing bevel we merely run on the 3mm elevated track, again two strokes will do all we want, saving time and precious chisel steel.

short youtube to follow....  in meantime see my youtube channel ....

heres my website with paypal facility to order one .... http://richardkell.co.uk/

Full instructions enclosed with the honing guide, please operate sensible and correct working procedures at all time, no liability accepted for any loss or injury E&OE.

Be warned, chisels are very quickly and repeatedly made super-sharp on these honing guides of mine; here below is my associated bevel gauge, note that it carries my name and beware of cheap clones !!

See my website with paypal for details and how to order. 


E&OE copyright richard kell 2014

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I'm increasingly cheesed off at inaccuracy and plain downright nonsense. This is why i cancelled the Saturday FT and Grauniad eighteen years ago as the sections i bought it for ie gardening, design etc held errors.

Likewise this morning two minutes ago ie 10:55 am Thursday 21st June 2018 bbc r3 (posts here at my blog are dated to stagger in an appropriate sequence so as not to bury what it is that I want to be the first couple of pages/ posts).... more nonsense and misinformation was broadcast.

We have a wood pundit and craftsman in interview produce a string of errors regarding  'James' (George actually) Sturt; 'The Wheelwrights Shop' being an absolute classic, a valuable work. And the endless reference to the making of 'carts' when in actual fact it would be WAGONS that was the primary interest and occupier of time in the Sturt workshop and the far harder thing to make. I read the book in my early teens, much of it stayed with me as often does when the subject fascinates. A wagon is a four wheeled vehicle and the cart a more trifling humbler two wheeled contrivance. I couldn't listen, I'm practically being quoted but also being revulsed .... you got it wrong!

I hope bbc r3 gets it right when it comes to the music bits....

I get annoyed at being fed inaccuracies. But these last few days I've heard several.

Lets get on my soapbox, likewise (I don't watch tv or even have one) but David Attenborough seems never from what i can gather (from recently purchased charity shop books) to go down to microscopic level and reveal the beauty and importance of diatoms, a particular hobby horse of mine from years ago; being an eight year hobby fascination with microscopic freshwater algae. I admit my sampling of what David Attenborough has written is patchy. Theres pages I could write, but at the moment its an incredible irony that it is the oil from ancient diatoms (each diatom say two thou inch long) deep down within the earth that has caused both their own demise (particularly so far in the Pacific) and with burning this oil that leads to our present predicament of Arctic ice loss, change in weather patterns and the eventual release of methane in geological, microbial and thawing frozen hydrate. Since November last i suddenly 'turned on' to the realisation that climate change is the biggie! Though microscopic and individually totally invisible to the naked eye they turn out to be vastly important. For instance, the worlds best paid diatomists all work for oil companies. Next time you see a 'brown oil' or rich brown shading to the bottom of a shallow puddle or water filled footprint then thise are diatoms, probably 'Tabellaria' or 'Navicula'.

The diatom scare is a real problem, Pacific algae and plankton (two distinct levels of the food chain the former one could say actually the more important, without it nothing follows on) .... dieback is horrific and grossly under-reported, the science community time lag is baffling, as is their reluctance to speak out in the first place. Another prime example is the Pacific seabird die-off two years ago, again next to no follow up, as one blog puts it  ..... 'the silence is deafening'. Vast quatities of seabirds flew onto shore that would always stay at sea, their stomachs empty.

Likewise earlier in the week i think it was a bbc r4 review of the previous weeks progs and we get some twit utterly and hopelessly mispronouncing 'zaijian' ie 'see you again' in Mandarin. Its the first word you ever learn along with 'me' and 'you' ie wo3 and ni3. They are supposed to have a Pronounciation Unit at Broadcasting House but theres no actual indication for this at any time when they encounter a word from China, they cannot even get the pronounciation for the Chinese Premier, utterly hopelessly lost. They need only ask a passing child of say Han descent or basically anywhere in Asia or walk into a Cantonese take-away and they'll get all the tuition they need free of charge. Likewise in general books and articles on China, 99.9% of the time there is never any indication (tone 1,2,3,4, and nuetrel ie 5) for any word or name in Mandarin. This even is a problem from specialist publishers ie poetry. I have one book here 'Poems of the Masters' that cost me good money and is near worthless because of among other drawbacks the Editor omits any form of tone indication whatsoever. Mandarin is a tonal language. Try typing in a few simple words and phrases into google translate to hear what I mean.

Likewise bbc r4 errors, Laurie Taylor on Wed afternoons in his always excruciating overloud musical bits tells us 2 million died because of the Cultural Revolution, ehm thats a figure that is way too apologetic to Mao. He never mentioned the previous 'Great Leap Forward' when thirty times this number died. Prof Taylor often comes up with errors, my having a retentive memory for things that matter to me I cringe at being fed nonsense. Thers a lot can be discussed re what we are being fed, the spin and bias of news reporting and these last eighteen months where moral decency and truth has been flushed down the pan. That same programme dealt with China as its main subject and in fact was near unintelligable, word soup of the worst kind; oh dear George Orwell we need your wise words to guide us now !! So when discussing the current sad state of American politics, to get a real handle on events the bbc radio news is not worth the effort, online is much more realistic. Goodness knows how they'll window-dress trumps visit and impending protest. One contrary good point of bbc radio news is their 'World Tonight' just after ten, it is a better job altogether. Lets hope it remains.

sorry for typos, from top of the head in 20 mins and short of time today .....

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I have a disc of cast iron previously machined and scraped flat, it is eight inch diameter say one and a half inches thick and which I use as a stable surface to help assemble and check for parallelism of my richard kell honing guide stainless rods. But now it needs a re-vamp, looks a bit sorry for itself; an excellent excuse to do some engineers hand scraping, something only self taught (but that goes for most of everything).

The three hours flew by, it can become so absorbing, but i have utmost sympathy for men stuck on this work fulltime. Its actually quite strenuous and goodness knows how arm tendons and ones back would fare.

The real hard work would for instance have been to achieve the  'Whitworth three plate method'  in producing a verifiable flat surface or set of three master surface plates. What a clever man ....  https://en.wikipedia.org/wiki/Joseph_Whitworth  ... and my heart goes out to those men engaged on any work such as this.

The easiest example is here where I scrape a simple flat surface against a known reference ie the surface plate, but also for more sophisticated and difficult applications we could scrape to produce dovetail surfaces that would be our best chance of creating accurate and lasting sliding surfaces for machine tool bedways, creating a correct form of 'running in' and thus enabling the Bielby Layer to develop, a very thin 'bedded-in' surface layer measured in millionths of an inch that is extremely low friction as in (and is needed) in machine tool slideways. Correctly run-in surfaces are both so bright and low friction we read that the initial scraped surface helps hold the lubricant so that the Bielby layer can be developed. Something of this phenomena is shown at the end of the exercise when we reach a close approximation of flatness, the heavy CI disc 'floats' for a second or two when laid carefully back onto the surface plate.

I had previously machined the disc both length and crossways ie X and Y axis on the Bridgeport milling machine, these still show after the finished session of scraping but as they are undetectable to touch they must be less than say a quarter thou inch.

I use a fourteen inch hand file ground at its working end and honed on the arkansas stone to do the scraping. Heft and weight do matter a lot in this activity.  The M&W commercial scrapers sold years ago which my dad had a set (still here) are little more than over-priced de-burring tools, the 'three square' pattern is particularly offensive and useless for anything. I've blogged on this before, see tags at right. And often the best de-burring tools are ones you make yourself, with experience comes the intuitive insight into how tools cut, this applies to lathework, any machine tool and handwork. This finer point of insight (and craftsman development) can no longer exist when CNC rules universally. I realise the need of CNC for modern manufacturing, I'm lucky I can choose a time era that maximises my enjoyment of the craft.

Pics explain best  .....

Above, looking a bit 'grotty', an excuse to waste some time and rescrape .....

Machined slots at the side of the disc allow me to clamp it onto the Bridgeport table to resist the scraping pressure therefore I get 100% access to the surface in question. Here above at top we can see material removed.

This surface plate came from Robsons Marine Engineers at Seahouses in the late 1960's; my dads employers at the quarry group at that time were Thomas Tilling (previously Mark Appleby) at Easington Quarry, Belford, Northumberland and had purchased the remaining tools and tackle that remained in the old sandstone building. Probably was still there as too heavy for scoundrels to run away with. As a kid occasionally going to quarries on Sundays with my Dad when the plant was down it gave me an insight to the more remote quieter areas of Northumberland, I now see I was lucky. I have a very distinct memory of hand grinding valves into cylinder heads ie spinning with your palms the wooden rod with a rubber suction cup for grip, seemed to bloody well go on forever and theres lots of them, yet I was delighted to be part of the working mans world, my Dads world. He served me well, it was impressed upon me the importance of work, to learn, to develop, to make an effort; there never was any hanging around on street corners for me !

At right of the surface plate is the fourteen inch hand file doctored to make into a scraper, a diabolical useless and not very good product bought new many years ago, its from Oberg Sweden as a handfile.  Diabolical because it 'skates' like mad over the surface and is most reluctant to cut when functioning as a hand file, a very good example of a badly cut hand file; will have cost me lots when i first started self empoyment !! Far better go to the scrapyard and see what they have to offer for a scraper ie a big 'massy' discarded file or for a working file look around for Spanish or Indian hand files which can give better service at a fraction of the cost, ie 'bite' and not skating uselessly as per the expensive Oberg above. Beware also of the crappy file handles made unbelievably from Ramin, the absolute worst choice for this purpose, chosen because its so easy to rapidly machine turn but useless for its purpose! Loony thinking.

Also in the above theres far too much engineers blue but useful for photo purposes and shown before I rub it thin into a more useful state (done with the palm of ones hand). A rag has lint, this would foul up the whole procedure, a no-no. You need to feel its clean.

Heres what to avoid, far too much blue on the surface plate, very much false results, usually where beginners trip up from the little I've seen online. I avoid online workshop vids like the plague, so many are full of errors and mis-assumption, no rigour of thinking. The trickier edges i try to scrape but its not easy, a dead smooth worn six inch hand file copes with it, procedure is to attend to all the blued 'high-spots' individually, better shown as per below, remembering not to repeat the 'angle of attack' between scraping sessions. .

Above, here we are proceeding nicely, with hindsight I should have taken a deeper cut for the first couple of 'all-overs' to break the old surface and eliminate the remains of the machining.

Thats the three hours done, need to get back onto production, it will do well enough for what I want; feels incredibly uniform despite the lines visible and has developed the amazing property (expected from previous experience) of floating on air for the first couple of seconds as it is laid face down onto the surface plate.

Pics do not do it justice, in reality the plate sparkles and gleams as one moves vantage point .....

postscript  ..... But it bugs me that those machining tracks still show even though i cannot feel them from finger touch so as this even a couple of months later still 'bugs me' I shall repeat the process and get it to what I want, in other words greater rigour is needed. If I'd had someone do this for me i would not have let it pass.

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... how this man is not hindered in pushing forward with his ideas into workable apparatus. Lots of talent and immensely practical too, it all works and appears dependable.

I try not to trawl the web endlessly, in fact there will be masses of fascinating material I will be oblivous as to its existance, but this is impossible to not want to share.

Interestingly I can hear sounds from Henry Cowells soundworld, a few weeks ago we had him as 'Composer of the Week' on bbc r3.

and here below are three links to three stunning pieces by Henry Cowell ....




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... was the best £48 he ever spent, circa 1953 and the motor and accessories cost as much again, the Myford ML7.

He was as far as I can see tea-total and so could save from his wage, this purchase of his has been with me all my life (born 1958) and means a lot to me. Its had a lot of use and is tip-top .... nowadays used as it should be and not my earlier years of abuse from milling cutters and goodness knows what other model engineer 'practice'. Myfords made too good a lathe, amateur workers saw no limit to the work it could handle.

I've a couple of mods myself including a slightly larger drive pulley on the motor to up the revs.

As a second op lathe it is very good indeed, very much what we would term a 'brass finishers' lathe, certainly as the way I use it with hand tools on metal, a long extinct trade that strangely I have evolved into.  Jim Hardy in around 1981/2 said when in Development regarding the stainless series of Zane Grey Big Game reels I was working on that   "What we need is a brass finisher"  ie the trade that his ancestors in turn of the century Alnwick would look to when starting to make reels from scratch; Dingley brought up from Birmingham was indeed such a worker.

I have done some very clever work on it, for instance copy turning scale model boat stanchions using a device I have never seen elsewhere based on a sliding headstock Swiss auto and tiny form tools, plus lots from 'Model Engineer' 1950's and 60's, also oval turning, other forms of copy turning, a capstan attachment (not such a workable idea only good for wood and plastic) also spherical turning, indexing, slotting and keyways, a filing machine attachment, auto clutch for single point screwcutting to a shoulder and various tricks for repetition work. And probably more I have forgotten.

The Myford Super Seven is a much slicker faster revved machine, a more premium article with a very good sensitive tailstock feed, but the mandrel speed on my Dads machine does all I want and the clutch is the nearest thing you could find to the perfect speed take-up characteristic of old fashioned line shafting. For the clutch itself a letter of 1953 acknowledging my Dads order of the clutch unit I found when sorting out the Myford leaflets and brochures a couple of days ago  !!

note the date on the above  .....

I much prefer the styling of these 1940's and 50's machines, what I call real machine tools, something that draws you into the subject. Then early 1970's firms went 'modern' (ie styled more like childrens building blocks) witness a Ward2 capstan and looked hideous, looked also as if finish and apparent visible quality went downhill or as an excuse for and of course the worst of all is modern day CNC listings where in endless pages of endless CNC all we are shown are boxes of steel enclosure !! How can any young fella be now drawn into this subject nowadays?? Someone rang me from the RSGB asking in a survey what it was that so few younger people were interested in radio and to my mind a first step would be to get back to a more interesting front cover of their monthly magazine. More important than I think they realised.

I would just like to say I cannot stand re-painted machine tools, I would be dearly interested to add a Ward 2 capstan lathe to my workshop (near unobtainable these days, all scrapped years ago) BUT the only ones I can afford are so abused/ broken and hideously re-painted that I would stay well clear of. So many that are offered at a realistic price are untouchable, re-paints that try to cover what ?? The paintwork tells a story, what are they ashamed of ??

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Note that the above is a 'staged shot' for illustrative purposes only.

The blade guides on my Startrite 352 bandsaw could not be excused any longer, likewise the replaced thrust rods to take cutting pressure were needing to be re-ground to flat, merely rods of hardened steel I made say twenty years ago to replace the beyond hope originals.

The machine itself is a good one, no qualms, in fact on a recently viewed youtube its the same machine that Purdeys use to profile their walnut gun stocks, but once I got the side blocks out there was no option but to regrind. I use the Bridgeport vertical mill for this, an aloxite cup wheel permanently mounted on its own arbor solves lots of proplems, can be rigged for tool and cutter work too. Advancing a thou at a time (ground dry) soon cleaned it up to flat again.

Once re-assembled and aligned a joy to work with.....

Above is before I break the sharp edge (ie deburr) the edges on a fine aloxite wheel.

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I don't know how well known this film is of people in Africa, but it is well worth watching ....

We see timber extraction and timber being formed,  the blacksmith and a community both at work and at play.

Three people sharing drudgery transforms it into something else!

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I subscribed to the Crafts Council  'Crafts'  magazine for a full decade but finished it in 1988 when along with other subscriptions I ceased the handful of mags that arrived here each month, it was becoming too intense; I needed space, quiet and of course never having anyone to be able to talk with about these things didn't help. Undoubtedly it was a valuable education and as with most subjects that are worthwhile, at first way above my head and then once able to understand it better becoming extremely important to me. The Crafts Council did a lot to 'up our game' and certainly they need to be applauded for that.

I'm fascinated by what others can do, the Bernard Leach 'A Potters Book' is an easier read than Cardew above; Cardew is deeper and it takes me far longer to digest. Bernard Leach and the publishers Faber did a very good job at producing a more accessible guide.

Its also a rummage back in time, the whole world of what can be termed British Studio Pottery from the First War into the seventies.  The names of the important players in mid twentieth century British potters ring like magic, Lucie Rie, Hans Coper, Michael Cardew, Michael Casson ... perhaps I need to unbox and re-read those 'Crafts' mags but I do know they are indelibly fixed in my minds eye.

I've got two copies of Bernard Leach 'A Potters Book' as well as a few other suchlike books, I will read that along with Michael Cardews 'Pioneer Pottery' in the next few weeks. Both are books I've had here on the shelves for more than twenty years and to my shame I know the Leach book well but have never read the Cardew, the lucky find at our local library sale. Silly them for getting rid of it, the same can be said of several books here on the shelves. Cardew draws in geology starting wuth the broadest picture, heat processes, transformation of glazes, form and early Chinese work are all things that already exist in my mind in fragments, exactly what I think of already, so how can it be but interesting !

tootling around we find such gems  ...


ie for the above  .... http://youtu.be/mKqoCcg0jek

theres lots more on youtube tags  ....

but what baffled me was the lack of the full length Hamada tv documentary of forty or more years ago, I can well remember watching it and other peoples reaction the next day, all i can find is a brief clip ....

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So far I don't feel particularly overwhelmed by any great sentimentality in moving out of my workspace of thirty years to a new location, but as sure as God made little green apples its something that must happen; maybe my progressive emptying over six weeks or more and a full years notice to get used to the idea have helped smooth the transition. Its really just a huge collection of 'stuff', where it is housed matters far less than what is achieved with my own hands, but as would be obvious a man with so much stuff both accumulated and made by me over thirty years it will prove a disadvantage in some ways to disturb the immense amount that I knew the exact location of for retrieval, being unusual / driven at this game has its drawbacks.

Since learning of the closure for a year now my natural sleep rythmn has been disturbed, I get to sleep well enough since being told we were being closed down but my waking day starts much earlier as if in 'fight mode'. An instance was this morning when I took these pics, at work for 06:30 ..... already been up for two hours!

An unforseen big effect a few days ago was taking down the workshop clock for the new place, losing time from the old unit seemed to very clearly declare it finished.

My first unit for a few months at Plessey Road Workshops was three times the size way back in September 1984 but the expense of it pushed me to get into the smallest unit available at 168 sq ft as shown above; one of the secrets of business in my opinion is to control costs, to live tight, to spend no more than is neccessary to achieve the desired effect.  Actually its odd how the camera sees the image, its really not as grubby as it appears, is actually swept clean and the stainless drainer is gleaming ... I've done this because whilst I was in there it was crammed full of gear and I want no-one to think I was less than clean !

I've had so many instances of good luck recently, being able to use a big unit across the gangway for overspill made life so much easier, considering the old place was only twelve feet by fourteen it is utterly incredible how so much was crammed into a fully operational and mostly comfortable workspace; I'd had thirty years to achieve this. However i did have tricks to enable this (needs must etc) such as six foot racking perched on brackets above head height. The walls were much thicker than the new place appears to be, could bear weight, the new place is single thin breezeblock, definitely not load bearing.

Next week when all keys are handed over I will be a fortnight short of when I moved in at September 1984, ie thirty years ago.  Another tiny instance of unexpected luck was the morning the machinery movers were to arrive, so there I am at 06:45 17th July and half an hour before their scheduled arrival at 08:00 on the topmost shelf of some aerial racking that I'm clearing there precisely on cue are the nuts and bolts needed to secure the one loose plank of the heavy bench top to its frame so it can be slinged and lifted by the Hiab lorry crane. I had utterly no memory they were there, how could anyone after thirty years, completely out of sight but exactly where they would have been placed thirty years ago by me and as needed for departure, last thing to be taken from the uppermost shelf. Thankfully the machinery men had rescheduled to four days later, their original date wld have been impossible for me even with a continuous fortnight of getting ready !!

As with many projects triple the expected timescale to get nearer to reality.

The new place seems fine, only bug is increased rent to pay and issues with minor subsidence with the end wall otherwise its a pleasant enough space mostly retaining the central most used area layout as a pattern of efficiency; my immediate neighbour and his wife seem nice folk and its a space I'm happy to get to. The terrible incident of my beagle Smud being loose for more than half an hour was also astounding good luck, the one man that had said hello indeed remembered him and knocked on my door when with even greater good fortune a work colleague of my wife that miraculously lives nearby found Smud lying down in the middle of a busy road. It struck me last night many days later that he must have placed himself so visible so that his master would find him as he would be disorientated and baffled. I shudder to think what might have happened......

Once we are all cleared 22nd August its all to be demolished for housing. The main complex itself was as good as new but a huge old shed next door was dragged onto the rentable list by a tenant that apparently accrued rent arrears and hence created rates payable by the Local Authority following his bankruptcy, so inevitably the whole operation came under scrutiny by accountants and commitees and planners and the axe has fallen.

The move in some ways has been pleasant, a total month out and probably more from my usual activity ie manufacturing, I've been able to take my time to be sure to group and collate all like things together and i know full well much of it will never be unboxed and probably unrecoverable even when needed. Its been quite an experience, something totally different from my usual day to day work and something I never wish to repeat. I've had various windfalls, excellent good as new steel racking abandoned from another unit, boxes full of educational material again abandoned that distracted me from the tedium of the shift and other bits and pieces that fell into my hands.

Plessey Road Workshops was a very good facility, a success and allowed many many people to try their hand at small business. Losing Blyth Valley Local Authority (in my opinion also a retrograde step for the locality) meant a protracted hiccup in credit control, already having developed problems from the wrong person occupying the role and Landlord problems snowballed .....

Pics for the archive .....



Here I am saying I'm unsentimental but admittedly I am posting pics of the empty unit ! .... more accurately I feel the need to document the now cleared space that has been my workshop for thirty years, as it is a complete novelty for me to see this unit cleared, it was not an easy task, very time consuming and for thirty years these walls have been my working space.

The easiest bit was the day of the machinery move; otherwise my endless clutter and bits and pieces (mostly made by me) hampered progress .... this is not just a desk a monitor and a tray of pens job !!

postscript; the temperature of the new place drops much lower in cold weather, at Plessey Road i was well embedded into the depths of the building, an additional cost will be background heating for whenever i'm not there; but the bonus is that its easier to get the temp up and keep it there, no draughty main doors to blow it all away. Once the heavy machine tools (any steel tools in fact) cool down too far theres always the likelihood of rusting when you warm the place for the days work. Months later after winter the background heating works well, the unit seems quicker to get to a comfortable temperature and it is not draughty, sound proofing is good and its a pleasant place to be.


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